alchemy acoustic labs » collings

Elambo’s Julius Borges OM-28

admin — Sat, 08 May 2010 04:52:02 +0000

We offered to do one guitar for one member of the online Collings Forum community free of charge. The recipient selection process took some time, but in the end we decided to go with one of the moderator’s guitars. Elambo is an audio engineer, studio musician and the furthest thing from an AAL cheerleader we could find. We wanted an objective opinion. We’re posting our results and opinions before Elambo does, in an effort to be as forthright as possible. Let the chips fall.

The Julius Borges OM-28 was one of our favorite guitars we’ve ever played or had in our labs. The build quality and playability is just phenomenal. It was already optimized for volume, versatility and projection by design when we received it.

Post AO1 process, it did not come up as dramatically in amplitude (volume) as some other guitars we’ve processed. It had more increase in sustain than volume. But where we felt that the process enhanced its sound the most was in the evening out of the notes, filling in the bottom end in the lows and low-mid ranges. It truly opened up the guitar in the way that age and playing (a lot) would do.

We’ll post updates to this guitar as the story continues to unfold. For now, here are some audio and video files chronicling the event.

Audio Files:

Elambo’s Borges (Before A01 Process 01)

Elambo’s Borges (After A01 Process 01)

Elambo’s Borges (Before A01 Process 02)

Elambo’s Borges (After A01 Process 02)

David Grissom’s Collings D2H

admin — Wed, 05 May 2010 07:30:25 +0000

Legendary Austin session guitarist David Grissom (John Mellencamp, Dixie Chicks, Bob Dylan, Buddy Guy, Chris Isaak etc.) talked with us at the 2010 Winter NAMM show about having one of his guitars processed. In early March, Collings shipped us his D2H to get the AO1 treatment.

From the moment it arrived, we all liked the guitar very much, but according to David, it was his least favorite of his three Collings dreads. We heard the opportunity to help it reach its full potential and were eager to let the process do what we expected it would.

You can watch the video below (or on the Videos page) of Jim Relja and us examining the guitar before and after the process. The process added much more sustain and it really filled out the frequency range in the lows and low-mids.

One of our usual go-to reviewers, Jim was knocked out by both this guitar and by how it transformed after being processed. “I’ve never heard sustain like this on a guitar. This is ridiculous…”

We sent the guitar back to Collings and waited for David to get back from the road to check it out. His immediate responses were good, but he waited a few weeks to give us his full review:

“The process has made a noticeable change in my guitar. It always sounded good, but was my least favorite of my 3 Collings Dreads. Now it seems louder and punchier, and doesn’t “cave in” at all when played really hard…..and holds it’s own with the other guitars which happen to be exceptional. Thank you again.”
David Grissom
Austin, TX
April 15, 2010

Audio files are HERE

Maui’s Collings D2H MRA Varnish Top

admin — Thu, 04 Mar 2010 06:16:49 +0000

We’ve got a lot going on right now, but this also qualifies as news. In case you haven’t seen it, we’ve been part of a rather lengthy and spirited thread on the Online Collings Forum. I have enjoyed participating in it and answering as many questions as I can. We have had a few guys from the forum call and schedule guitars to be sent in. This is the first of them. The guitar belongs to “Maui” in Hawaii and it was sent at probably the greatest personal expense so far (Calton cased guitar to and from Hawaii to Pittsburgh is not cheap) The thread on the forum is now 25 PAGES long and has been viewed over 7400 times at last count. With all those things in mind, we really felt like we were on the hotseat on this one so we recorded everything including our before and after commentary. As we have done all along, we’re not going to publish emails here but we’ll be happy to put anyone interested in the process in touch with the guitar’s owner or the player at any time, as long as they are open to being contacted. Please keep in mind, this is a more casual, shaky-cam style video intended for entertainment – not a discerning audiophile demonstration. There are new MP3 files of this guitar HERE and better quality .wavs are available upon request.

Back from NAMM

admin — Thu, 21 Jan 2010 06:19:46 +0000

Well, we had an exhausting but really worthwhile 4 days at the NAMM show in sunny Anaheim. We have been working to get some more instruments and models onto the website and will be putting up some new info soon. We also met with a few manufacturers of potential decal makers, but we’re still trying to find a material that Frank deems “non-sound-deadening” enough that will also not interact with nitrocellulose laquer. (We know we owe them to a bunch of you early AO1 customers)

We met and talked with so many exceptional builders and performing artists about sending us an instrument to put through the AO1 process, (you know who you are!) thanks to all of your overwhelmingly helpful input, advice, interest and/or participation, 2010 is looking like a big year for Alchemy Acoustic Labs.

Frank at the Collings booth, looking for a German Spruce top with Madagascar back & sides.

AO1-Optimized Collings D2HG

admin — Thu, 02 Jul 2009 21:05:56 +0000

June 9, 2009 – Session/touring guitarist and master guitar tech Jim Relja examines and plays this Collings D2HG 4 weeks after it received our AO1 Process.