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	<title>alchemy acoustic labs &#187; acoustic optimization</title>
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	<link>http://alchemyacousticlabs.com</link>
	<description>Alchemy Acoustic Labs is dedicated to the optimization of the sound of acoustic instruments.</description>
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		<title>Rodgrigo Moreira Hauser Replica</title>
		<link>http://alchemyacousticlabs.com/2010/07/rodgrigo-moreira-hauser-replica/</link>
		<comments>http://alchemyacousticlabs.com/2010/07/rodgrigo-moreira-hauser-replica/#comments</comments>
		<pubDate>Tue, 20 Jul 2010 04:11:18 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[AO1 Process]]></category>
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		<category><![CDATA[classical guitar]]></category>
		<category><![CDATA[frank sanns]]></category>
		<category><![CDATA[hauser]]></category>
		<category><![CDATA[rodrigo moreira]]></category>

		<guid isPermaLink="false">http://alchemyacousticlabs.com/?p=511</guid>
		<description><![CDATA[Frank brings the freshly AO1-optimized Rodrigo Moreira Hauser replica classical guitar back to Porsche specialist John Raysich, at his repair shop (John Raysich Porsche Specialties) in Pittsburgh, PA. This guitar has an interesting story. Moreira was commissioned to do some restoration work on Segovia&#8217;s 1931 Hauser I guitar. Having one, if not THE most prized [...]]]></description>
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<dl id="attachment_515" class="wp-caption alignleft" style="width: 435px;">
<dt class="wp-caption-dt"><a href="http://alchemyacousticlabs.com/wp-content/uploads/2010/07/moreira_hauser_label.jpg"><img class="size-full wp-image-515" title="moreira_hauser_label" src="http://alchemyacousticlabs.com/wp-content/uploads/2010/07/moreira_hauser_label.jpg" alt="" width="425" height="338" /></a></dt>
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<p>Frank brings the  freshly AO1-optimized <a href="http://www.moreiraguitars.com/" target="_blank">Rodrigo Moreira</a> Hauser replica classical guitar  back to Porsche specialist <strong>John Raysich</strong>, at his repair shop <em>(John  Raysich Porsche Specialties</em>) in Pittsburgh, PA.</p>
<p>This guitar has an interesting story. Moreira was commissioned to do  some restoration work on Segovia&#8217;s 1931 Hauser I guitar. Having one, if  not THE most prized classical guitars in the world in hand, Moreira  decided to build a replica or two&#8230;.</p>
<p>It&#8217;s February,  which was pretty brutal this year in Pittsburgh, and John was busy at  work, in coveralls, with beepers and phones ringing and mechanics asking  him questions while he tried the guitar for the first time after being  processed. So &#8211; as usual, we present a very candid, un-glamorous look at  REAL customers&#8217; REAL reactions when they get their instruments back.</p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="425" height="344" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/i_9E56mqViY&amp;hl=en_US&amp;fs=1?rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b" /><param name="allowfullscreen" value="true" /><embed type="application/x-shockwave-flash" width="425" height="344" src="http://www.youtube.com/v/i_9E56mqViY&amp;hl=en_US&amp;fs=1?rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
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		<title>Elambo&#8217;s Julius Borges OM-28</title>
		<link>http://alchemyacousticlabs.com/2010/05/elambos-julius-borges-om-28/</link>
		<comments>http://alchemyacousticlabs.com/2010/05/elambos-julius-borges-om-28/#comments</comments>
		<pubDate>Sat, 08 May 2010 04:52:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[AO1 Process]]></category>
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		<category><![CDATA[collings]]></category>
		<category><![CDATA[collings forum]]></category>
		<category><![CDATA[elambo]]></category>
		<category><![CDATA[frank sanns]]></category>
		<category><![CDATA[jim relja]]></category>
		<category><![CDATA[julius borges]]></category>
		<category><![CDATA[om-28]]></category>

		<guid isPermaLink="false">http://alchemyacousticlabs.com/?p=492</guid>
		<description><![CDATA[We offered to do one guitar for one member of the online Collings Forum community free of charge. The recipient selection process took some time, but in the end we decided to go with one of the moderator&#8217;s guitars. Elambo is an audio engineer, studio musician and the furthest thing from an AAL cheerleader we [...]]]></description>
			<content:encoded><![CDATA[<p>We offered to do one guitar for one member of the online <a href="http://collingsforum.com/eve/forums?a=tpc&amp;s=43760485&amp;f=94760485&amp;m=148108822&amp;r=337103414#337103414" target="_blank"><strong>Collings Forum</strong></a> community free of charge. The recipient selection process took some time, but in the end we decided to go with one of the moderator&#8217;s guitars. <strong>Elambo</strong> is an audio engineer, studio musician and the furthest thing from an AAL cheerleader we could find. We wanted an objective opinion. We&#8217;re posting our results and opinions before Elambo does, in an effort to be as forthright as possible. Let the chips fall.</p>
<p>The <a href="http://www.borgesguitars.com/" target="_blank"><strong>Julius Borges OM-28</strong></a> was one of our favorite guitars we&#8217;ve ever played or had in our labs. The build quality and playability is just phenomenal. It was already optimized for volume, versatility and projection by design when we received it.</p>
<p>Post AO1 process, it did not come up as dramatically in amplitude (volume) as some other guitars we&#8217;ve processed. It had more increase in sustain than volume. But where we felt that the process enhanced its sound the most was in the evening out of the notes, filling in the bottom end in the lows and low-mid ranges. It truly opened up the guitar in the way that age and playing (a lot) would do.</p>
<p>We&#8217;ll post updates to this guitar as the story continues to unfold. For now, here are some audio and video files chronicling the event.</p>
<p><a href="http://alchemyacousticlabs.com/wp-content/uploads/2010/05/borges-om-28.jpg"><img class="alignleft size-full wp-image-500" style="margin: 3px 5px;" title="borges-om-28" src="http://alchemyacousticlabs.com/wp-content/uploads/2010/05/borges-om-28.jpg" alt="" width="353" height="609" /></a></p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="425" height="344" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/07ockfgyrac&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b" /><param name="allowfullscreen" value="true" /><embed type="application/x-shockwave-flash" width="425" height="344" src="http://www.youtube.com/v/07ockfgyrac&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<h2><strong>Audio Files:</strong></h2>
<p><strong>Elambo&#8217;s Borges (Before A01 Process  01)</strong></p>
<p><strong>Elambo&#8217;s Borges (After A01 Process  01)</strong></p>
<p><strong>Elambo&#8217;s Borges (Before A01 Process  02)</strong></p>
<p><strong>Elambo&#8217;s Borges (After A01 Process  02)</strong></p>
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		<title>David Grissom&#8217;s Collings D2H</title>
		<link>http://alchemyacousticlabs.com/2010/05/david-grissoms-collings-d2h/</link>
		<comments>http://alchemyacousticlabs.com/2010/05/david-grissoms-collings-d2h/#comments</comments>
		<pubDate>Wed, 05 May 2010 07:30:25 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[AO1 Process]]></category>
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		<category><![CDATA[david grissom]]></category>
		<category><![CDATA[dixie chicks]]></category>
		<category><![CDATA[mellencamp]]></category>

		<guid isPermaLink="false">http://alchemyacousticlabs.com/?p=477</guid>
		<description><![CDATA[Legendary Austin session guitarist David Grissom (John Mellencamp, Dixie Chicks, Bob Dylan, Buddy Guy, Chris Isaak etc.) talked with us at the 2010 Winter NAMM show about having one of his guitars processed. In early March, Collings shipped us his D2H to get the AO1 treatment. From the moment it arrived, we all liked the [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://alchemyacousticlabs.com/wp-content/uploads/2010/05/David_Grissom.jpg"><img class="alignleft size-full wp-image-478" style="margin: 2px 5px;" title="David_Grissom" src="http://alchemyacousticlabs.com/wp-content/uploads/2010/05/David_Grissom.jpg" alt="" width="197" height="296" /></a>Legendary Austin session guitarist <strong>David Grissom</strong> (<em>John Mellencamp, Dixie Chicks,  Bob Dylan, Buddy Guy, Chris Isaak</em> etc.) talked with us at the 2010 Winter  NAMM show about having one of his guitars processed. In early March, Collings shipped us his D2H to get the AO1 treatment.</p>
<p>From the moment it arrived, we all liked the guitar very much, but according to David, it was his least favorite of his three Collings dreads. We heard the opportunity to help it reach its full potential and were eager to let the process do what we expected it would.</p>
<p>You can watch the video below (or on the Videos page) of Jim Relja and us examining the guitar before and after the process. The process added much more sustain and it really filled out the frequency range in the lows and low-mids.</p>
<p>One of our usual go-to reviewers, Jim was knocked out by both this guitar and by how it transformed after being processed.  &#8220;I&#8217;ve never heard sustain like this on a guitar. This is ridiculous&#8230;&#8221;</p>
<p>We sent the guitar back to Collings and waited for David to get back from the road to check it out. His immediate responses were good, but he waited a few weeks to give us his full review:</p>
<h3><em><strong>&#8220;The process  has made a noticeable change in my guitar. It always sounded good, but  was my least favorite of my 3 Collings Dreads. Now it seems louder and  punchier, and doesn&#8217;t &#8220;cave in&#8221; at all when played really hard&#8230;..and  holds it&#8217;s own with the other guitars which happen to be exceptional. Thank you again.&#8221;<br />
David Grissom<br />
Austin, TX<br />
April 15, 2010</strong></em></h3>
<p>Audio files are <a href="http://alchemyacousticlabs.com/media01/clips/">HERE</a></p>
<p><a href="http://alchemyacousticlabs.com/wp-content/uploads/2010/05/grissom021.jpg"><img class="alignleft size-medium wp-image-480" title="grissom02" src="http://alchemyacousticlabs.com/wp-content/uploads/2010/05/grissom021-209x300.jpg" alt="" width="216" height="310" /></a></p>
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		<title>AO1-Optimized Collings D2HG</title>
		<link>http://alchemyacousticlabs.com/2009/07/ao1-optimized-collings-d2hg/</link>
		<comments>http://alchemyacousticlabs.com/2009/07/ao1-optimized-collings-d2hg/#comments</comments>
		<pubDate>Thu, 02 Jul 2009 21:05:56 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://alchemyacousticlabs.com/?p=256</guid>
		<description><![CDATA[June 9, 2009 &#8211; Session/touring guitarist and master guitar tech Jim Relja examines and plays this Collings D2HG 4 weeks after it received our AO1 Process.]]></description>
			<content:encoded><![CDATA[<p>June 9, 2009 &#8211; Session/touring guitarist and master guitar tech Jim Relja examines and plays this Collings D2HG 4 weeks after it received our AO1 Process.</p>
<p><object width="425" height="344" data="http://www.youtube-nocookie.com/v/Vh0byAo5ZII&amp;hl=en&amp;fs=1&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b" type="application/x-shockwave-flash"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube-nocookie.com/v/Vh0byAo5ZII&amp;hl=en&amp;fs=1&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b" /><param name="allowfullscreen" value="true" /></object></p>
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		<title>AO1-Optimized Tippin Crescendo</title>
		<link>http://alchemyacousticlabs.com/2009/03/optimized-tippin-crescendo/</link>
		<comments>http://alchemyacousticlabs.com/2009/03/optimized-tippin-crescendo/#comments</comments>
		<pubDate>Wed, 25 Mar 2009 12:59:52 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://alchemyacousticlabs.com/?p=129</guid>
		<description><![CDATA["Wow, I never played an acoustic guitar like this. There's more of an instant connection between your hands and the notes..."]]></description>
			<content:encoded><![CDATA[<p>February 16, 2009 &#8211; Corey Congilio plays our first <strong>Tippin Crescendo</strong> for the first time, post-AO1 processing.</p>
<p><object width="425" height="264" data="http://www.youtube.com/v/kOlg-kItbUw&amp;hl=en&amp;fs=1&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b" type="application/x-shockwave-flash"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/kOlg-kItbUw&amp;hl=en&amp;fs=1&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b" /><param name="allowfullscreen" value="true" /></object></p>
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		<title>Unleash Your Guitar&#8217;s Full Potential.</title>
		<link>http://alchemyacousticlabs.com/2009/01/unleash-your-guitars-full-potetnital/</link>
		<comments>http://alchemyacousticlabs.com/2009/01/unleash-your-guitars-full-potetnital/#comments</comments>
		<pubDate>Sat, 31 Jan 2009 18:18:43 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<description><![CDATA[The new Acoustic Optimization Process (AO1) from Alchemy Acoustic Labs is a breakthrough new process in acoustic science developed by physicist and polymer scientist Frank Sanns to dramatically improve the sound and performance of acoustic instruments in ways that once took centuries to achieve. Intrigued? Read MORE.]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-8" title="fingers_01" src="http://alchemyacousticlabs.com/wp-content/uploads/2009/01/fingers_01.jpg" alt="fingers_01" width="432" height="287" /></p>
<p>The new <strong>Acoustic Optimization Process (AO1)</strong> from <span style="color: #800000;"><strong>Alchemy Acoustic Labs</strong></span> is a breakthrough new process in acoustic science developed by physicist and polymer scientist <a href="http://online.wsj.com/article/SB121901740078248225.html?mod=hps_us_pageone" target="_blank"><strong>Frank Sanns</strong></a> to dramatically improve the sound and performance of acoustic instruments in ways that once took centuries to achieve. Intrigued? Read <a href="http://alchemyacousticlabs.com/the-process/" target="_self">MORE.</a></p>
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